A Voice from the South by Cooper Anna Julia; Neary Janet;

Author:Cooper, Anna Julia; Neary, Janet;
Language: eng
Format: epub
Publisher: Dover Publications
Published: 2016-07-14T16:00:00+00:00

THE NEGRO AS PRESENTED IN AMERICAN LITERATURE

FOR NATIONS AS for individuals, a product, to be worthy the term literature, must contain something characteristic and sui generis.

So long as America remained a mere English colony, drawing all her life and inspiration from the mother country, it may well be questioned whether there was such a thing as American literature. “Who ever reads an American book?” it was scornfully asked in the eighteenth century. Imitation is the worst of suicides; it cuts the nerve of originality and condemns to mediocrity: and ’twas not till the pen of our writers was dipped in the life blood of their own nation and pictured out its own peculiar heart throbs and agonies that the world cared to listen. The nightingale and the skylark had to give place to the mocking bird, the bobolink and the whippoorwill, the heather and the blue bells of Britain, to our own goldenrod and daisy; the insular and monarchic customs and habits of thought of old England must develop into the broader, looser, freer swing of democratic America, before her contributions to the world of thought could claim the distinction of individuality and gain an appreciative hearing.

And so our writers have succeeded in becoming national and representative in proportion as they have from year to year entered more and more fully, and more and more sympathetically, into the distinctive life of their nation, and endeavored to reflect and picture its homeliest pulsations and its elemental components. And so in all the arts, as men have gradually come to realize that

Nothing useless is or low

Each thing in its place is best,

and have wrought into their products, lovingly and impartially and reverently, every type, every tint, every tone that they felt or saw or heard, just to that degree have their expressions, whether by pen or brush or rhythmic cadence, adequately and simply given voice to the thought of Nature around them. No man can prophesy with another’s parable. For each of us truth means merely the re-presentation of the sensations and experiences of our personal environment, colored and vivified—fused into consistency and crytallized into individuality in the crucible of our own feelings and imaginations. The mind of genius is merely the brook, picturing back its own tree and bush and bit of sky and cloud ensparkled by individual salts and sands and rippling motion. And paradoxical as it may seem, instead of making us narrow and provincial, this trueness to one’s habitat, this appreciative eye and ear for the tints and voices of one’s own little wood serves but to usher us into the eternal galleries and choruses of God. It is only through the unclouded perception of our tiny “part” that we can come to harmonize with the “stupendous whole,” and in order to do this our sympathies must be finely attuned and quick to vibrate under the touch of the commonplace and vulgar no less than at the hand of the elegent and refined. Nothing natural can be wholly unworthy; and we do so at our peril, if, what God has cleansed we presume to call common or unclean.

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